The Alllam – Boilershop Newcastle 02.05.2025
Invited| Review by Michael Dunwell
The formula for a great performance is a well-worn path, perfected by many to deliver unforgettable shows—whether through stunning vocals, standout drumming, or iconic frontman charisma. Yet, some bands aim to break free from the norm, creating an experience that is entirely their own. On Sunday night, the olllam proved they had something truly unique to offer.
Held at the exceptional Boiler Shop, just a stone’s throw from Newcastle’s central train station, this venue is a local favourite, known for its incredible acoustics, impressive beer selection (featuring both local brews and international staples), and consistently welcoming, inclusive vibe. A night at the Boiler Shop feels like stepping into another world—so immersive that it’s hard to return to reality once curfew calls you back. Before the gig, we stopped by the local craft beer bar, Mosaic Tap, for a pint. Nestled under the railway arches, it’s a hidden gem worth a visit before heading to the Boiler Shop. The perfect precursor to an unforgettable evening.

the olllam are a genre-defying, transatlantic collective, blending diverse musical traditions into something entirely their own. The lineup includes uilleann pipers and whistle players John McSherry and Ross Ainslie, drummer Michael Shimmin, bassist Joe Dart, guitarist Seán O’Meara and Joe Hettinga on keys. Together, they create a sound that’s both completely unique and mesmerising to watch—something I truly didn’t want to end.
They kicked off the night with “lllow the sun,” the opening track from their 2022 album elllegy. The song began with an entrancing frequency that immediately calmed the audience, pulling everyone into the moment—a perfect opener. That subtle yet captivating frequency soon gave way to a distinct drum groove from Michael Shimmin, while Seán O’Meara’s guitar playing added another layer of magic. One of the evening’s highlights for me was watching O’Meara’s expressive playing, particularly his sliding between notes—it was pure joy to witness.

Then came the heart of the band’s sound: the whistles, played by McSherry and Ainslie. As the Detroit-style post-rock psych sensibility of the rhythm section pulsed underneath, the layers of Irish whistle melodies elevated the entire piece. This fusion of post-rock energy and traditional Irish sound is what truly makes the olllam so remarkable, leaving the audience in awe of their unique musical chemistry. It was a joy to see this sound crescendo and ebb, taking the audience on a musical journey unlike anything I’ve ever seen before.
They followed lllow the sun with the second track from elllegy, an exillle’s dream, which opens with a keyboard line that immediately reminded me of the iconic keyboard intros from Vulfpeck’s live shows (Joe Dart is also the bassist in that band). The keyboard groove is soon joined by Seán’s guitar, which made me think of TLC’s No Scrubs. Now, I’m sure Seán might not love that comparison, but I mean it as a compliment! Together, the guitar and whistles create a fascinating intro to the song, but it’s when Michael and Joe lock into the rhythm section that things really take off. Michael’s drums lay down an irresistible groove that got the crowd moving, while Joe’s bassline is incredibly catchy, perfectly catching Seán’s guitar on every downbeat. The result was a rhythm section that felt weighty, like trudging through deep snow, with a captivating, almost disorienting quality to the beat. It had this hypnotic, swaying groove that drew the audience deep into the world of the exillle, entrancing them with every step.
Further into the show, they played my favorite song they’ve released, stream of silllver. This was the track that sold me on them initially. It has such an optimistic vibe that kept the entire crowd smiling throughout—honestly, I don’t think I’ve ever been to a happier gig. Every time the music crescendoed, the crowd would cheer as if they were at a football match. It felt tribal, like we were all celebrating life together. The vibes were amazing all around on this song. If you need any reason to see this band live, it’s to experience this track. Trust me, you won’t regret it.

The night was filled with some truly jaw-dropping solos. Joe Hettinga, on keys, took us on a wild ride with an 80s, almost Robocop-inspired solo (it had a hint of Money For Nothing) during stream of silllver that was nothing short of mind-bending. Seán delivered a stunning guitar interlude that added a perfect spark of energy to the set. Michael Shimmin blew everyone away with an incredible drum solo. He had the crowd—especially the drummers—absolutely hooked, with inventive beats and unexpected rhythms that kept everyone on the edge of their seat. But the real showstopper came toward the end, when Joe Dart unleashed his bass solo. It was one of the absolute highlights of the night. The entire venue fell into complete silence, captivated by his every move. Joe had the crowd in the palm of his hand, drawing us all in before his solo crescendoed magnificently, right in sync with Michael’s explosive drumming. Each solo was a masterpiece in its own right, and I honestly feel bad for anyone who missed out on this show—it was an experience that won’t be easily forgotten.
In conclusion, tonight’s show was otherworldly—nothing like I’ve ever experienced before. I implore everyone to go out and try a show that feels a little out of your comfort zone, because it could become one of those nights you won’t forget anytime soon. the olllam is no exception to this, and I trust any show the Boiler Shop decides to put on. Do not miss these guys!
Song Recommendations : lllow the sun, an exillles dream, streams of silllver